Hypnagogia is the transitional state between wakefulness and sleep. During this phase, brain activity shifts to alpha and theta waves, triggering vivid visual, auditory, or tactile hallucinations. It is a highly creative stage where the mind processes unusual ideas and associations. This album contains eight episodes of hypnagogia—eight episodes ranging from the incredible to the macabre, from the utopian to the dystopian, and from the real to the unreal.

Liminal spaces are transitional areas or thresholds designed to be passed through rather than inhabited. Psychologically, the unease or mystery they convey stems from "kenopsia"—a term describing the eerie atmosphere of a place that is usually bustling with life but now stands abandoned or silent. Liminal Spaces is an album comprising nine such spaces; it reflects a sonic aesthetic that seeks to evoke the very same feeling found in images of liminal spaces: the uncanny sensation of being in an in-between place—solitary, nostalgic, and suspended in time.

Based on the novel of the same name by Mikhail Bulgakov, The Master and Margarita is a four-part suite that explores the story's most epic moments. Scored for string quartet and a variety of instruments—including accordion, organ, piano, and an array of electronic instruments—each movement immerses the listener in the atmosphere of 1930s Moscow. These include the appearance of Woland (Satan) and his retinue on the streets of Moscow ("Woland and His Entourage"); Margarita’s transformation from a sweet, beautiful young woman into a witch ("Margarita’s Transformation and Flight"); the novel’s climactic "Satan’s Great Dance," which Margarita is compelled to attend to save her beloved Master; and, finally, the ultimate love theme between the Master and Margarita ("Forgiveness and Eternal Refuge"). The Master and Margarita offers a fantastic musical journey through one of the most important novels of the 20th century.